Carols in the cathedral

Photograph of a cathedral roof by Hannah Foley. All rights reserved (www.owlingabout.co.uk)Last week, I went with one of my friends to a carol concert at the cathedral. The Christmas market was in full swing along the streets around the cathedral green. Everywhere was twinkling lights and the smell of mulled wine. Inside the cathedral the choir gathered on the platform at the front and, draped in Christmas lights, they filled the air with the wonderful sound of some of our most treasured Christmas music. There was plenty of John Rutter, a tear-jerking version of Little Donkey with backing by ukulele, a few classics for the audience to join in with (“Five gold rings!!!”) and a foot-stomping rendition of God Rest Ye Merry Gentlemen to send us off out into the night. As we shuffled down the aisles to go home I squeezed my eyes tight shut and prayed for a brief flurry of snow. There was little chance of that prayer being answered in this unseasonably warm December but I didn’t think there was any harm in asking. Never mind, it was still wonderful.

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#5000NoMore

SCCR_christmas_campaignHere’s a quick screen shot of some new illustrations of mine for the Scottish Centre for Conflict Resolution Christmas Campaign. It’s a fantastic cause so do head over and have a look by following this link.

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Christmas tree

View from there top of Haytor in December. Photo by Richard Foley. All right reserved (www.owlingabout.co.uk).At the weekend we headed off to the moors. The distinctive characteristics of each of the national parks in the UK is always a matter of fascination to me. From the rugged austerity of the Cairngorms to the rolling greenery of the Peaks, they are all so different. Dartmoor’s character seems to me to be one of impish quirkiness and it can be no accident that the landscape is littered with associated fairytales and folktales. Just out of sight there will be a pixie troupe dancing about a fire and mysterious elvish laughter echoes around every rock. For any of you who have never been, one of the topographical features that shapes Dartmoor’s quirkiness is the tors. ‘Tor’ is an old celtic word meaning ‘hill’ and they consist of bizarre outcrops of rock balanced precariously at the summit of many of the high points on Dartmoor. They look as if a resident giant is about to have a game of skittles. On Saturday we climbed to the top of one of the most accessible, Haytor.

As well as its fairytales Dartmoor is also renown for its weather, which is hugely changeable and prone to mysterious fogs that take travellers unawares. Saturday was no exception and as we stepped out of the car we had to hold onto our hats because the wind was wild. Nevertheless, as you can see from Big Dreamer’s photo, it was well worth the climb. Later on the wind died away and the fog began to descend. We followed signs to a nearby village where twinkling Christmas lights shone out from the village hall. Outside they were roasting chestnuts and inside there was a fabulously festive Christmas market, packed to the rafters with local foods and crafts. For the first time this year I felt really Christmassy. On our way home we bought a Christmas tree from one of the national park vans. Fuelled by mince pies and Christmas tunes we soon had the tree up and so far Finch seems to be paying it little attention. Just how long can that last?!

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December

"Roll-up, roll-up". Hand-lettering by Hannah Foley. All right reserved (www.owlingabout.co.uk).It is December and everyone is busy with the lead up to Christmas. In his chapter on December in his book The English Year, Steve Roud reports that, perhaps unsurprisingly, most of what we consider to be a traditional English Christmas was mostly invented by the Victorians or imported from America and Germany. Even Santa’s red and white outfit is a fairly recent phenomenon. Contrary to the image of Merrie England popularised by the Victorians, our ancestors would have decorated their homes with a huge bough of mistletoe hanging from the ceiling not a Christmas tree, they would have eaten roast beef and Frumenty (a spicy milk pudding from what I can make out) not goose and Christmas pudding, and they would have gathered around a giant flaming Yule log to tell stories.

One element of the history of Christmases in England that I knew nothing about, and Roud explains really well, is the banning of Christmas by the Puritans in the mid Seventeenth Century. Roud says that the Puritans were not just against the way people celebrated Christmas but the very idea of the festival itself. No wonder they have such a miserable reputation. All this was countered by the Restoration in England, but not in Scotland. There, the Scottish Church “continued to frown on Christmas and the direct result was the sharp divergence between the ways the two neighbouring countries celebrated the season.” The English celebrated Christmas and the Scots celebrated New Year, or Hogmanay as it is commonly known. I had assumed Hogmanay was really old, probably pre-Christian but Roud states that the earliest citation of the word is around 1680, and the origins of the word have perplexed scholars for years. Roud says it is likely that the word probably comes from the Old French “aguilanneuf” meaning “the last day of the year, new year’s gift, the festival at which new year’s gifts were asked with the shout of aguillanneuf!” and he questions how it could have come from France to Scotland. I’m intrigued by this. Mary Queen of Scots was on the Scottish Throne from 1542 to 1567 and prior to this had been a French Princess. The area around Craigmillar Castle in Edinburgh is still called Little France to this day because it was where Mary’s French retainers settled. Surely it is not such a stretch to think that the tradition proliferated locally in Mary’s reign and became widely popularised in the face of the ban on Christmas?

In Stephen Moss’ chapter on December in his book Wild Hares and Hummingbirds, the landscape in Somerset is white with frost. He describes a flock of long-tailed tits flitting along the hedgerow, “separate yet together, as if connected to one another by invisible strands of elastic”. This is such a good description. I remember seeing a similar flock in my in-law’s garden on a similarly frosty morning. It was as though they were a single entity rather than a collection of individual birds. I love long-tailed tits, like little pom-poms with a beak and tail.

I have one more chapter left of The English Year but have now come to the end of Wild Hares and Hummingbirds. It’s a beautifully poetic and thoughtful book, one to digest slowly as the seasons change. Strangely for such a lovely book, I’m left feeling unsettled. In nearly every chapter Moss recounts the loss of species after species to the countryside, largely caused by the activities of man. In this final chapter he does the same, explaining that the short-eared owl was once a regular sight across Britain but their numbers have declined so dramatically that seeing one is now a special event. Moss says, “if the pattern of the seasons is broken…then the connections between us and the natural world may also be shattered, perhaps for ever. If swallows fail to adapt, then we will not simply have lost a wild creature, but also everything that creature means to us.”

Statements like this send me into an emotional panic then weariness. Fields and woods I loved are now houses and roads. Google maps reveals how many gardens have been paved over. What would it take to live ‘off-grid’ I wonder? At the very least, a sympathetic landlord. We’ve joined the local wildlife trust, have been conservation volunteers, are mindful of the impact of our lives, avoid over-consumption, and try to help our kids understand the value and wonder of the natural world. What Wild Hares and Hummingbirds lacks is some information on what Stephen Moss’ practical response is to the declines he recounts. How does he live? He’s one of the leading naturalists in this country, responsible for wonderful television programmes like SpringWatch. Does he have solar panels? Did he join the protests in Paris at the climate change summit? Is he a vegetarian? What actually makes a difference to the survival of the countryside we so cherish? If you’re out there Mr Moss, and on the off chance you’re reading this, maybe you could let us know.

P.S. Here is some lettering I’ve been working on for a circus-themed project.

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A soggy week

Sign for a Chocolate Tombola stall.It has been a soggy week in Devon and the house smells of Horlicks. Big Dreamer has been brewing a new batch of beer. The malty aroma has saturated every corner of every room. At the park Finch is enthralled by the way the seagulls knead the ground to bring up worms. He sidles up to one and joyfully begins pounding his own short legs up and down in mimicry, beaming at me with delight. The seagull glares at him and kneads even more ferociously, its knobbly yellow knees like little pistons. It’s the school Christmas fair today. Here is the sign I made for the Chocolate Tombola. As you can see it took a great deal of sacrifice on my part to complete the border.

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Mould

Frost on the pumpkin patch. Photo by Hannah Foley. All rights reserved (www.owlingabout.co.uk).A small patch of mould had started to form in a corner of the landing window frame. Little Owl spotted it and her eyes narrowed.

“Hmmm,” she said to me, hands on hips. “We’ll have to tell the cleaner about that.”

You just have done Little Owl. Cleaner indeed!

Here is a photo from our pumpkin patch, all covered in frost. The plants are still going strong and we have five pumpkins that will soon be ready to bring inside to ripen. I’m aware that I don’t put as many sketches up here as I used to, and I’m putting up a lot more photographs. In my student days I used to be able to give more time to this blog, hence more sketches. Nowadays, time is limited (two kids) and I’m most often sketching for the purposes of commissions so it’s not always professional to share work-in-progress. I think I’d rather be posting regularly without sketches to go with the posts (photos instead) than only posting when I have an illustration or sketch to show. What do you think? If you have a preference do comment below.

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A fishy mystery

A photo of frosty sorrel by Hannah Foley. All rights reserved (www.owlingabout.co.uk).This morning dawned bright, clear and frosty; the first frost of the season. We layered up with gloves, hats and coats to walk to school. Finch spent the journey trying to pull his gloves off with his teeth. When we got to school we found that something mysterious had occurred in the playground. Right, smack, in the middle of the playing field, frozen solid, was an enormous fish. It was not far off being as long as my arm and was about as stout as Finch. Parents and teachers alike stood around scratching their heads. There was no way anyone other than an Olympic Hammer Thrower could have got it there from the school gates, which would have been locked all weekend. It also wasn’t the sort of fish that you would find in your local fishmonger. It looked to me, like an enormous beige carp. The final diagnosis was that it must have been dropped by a bird, but how anything got airborne with it onboard I’ve no idea. No wonder the bird dropped it!

Here is the red-veined sorrel we grew in the summer, all covered in frost. It goes well with fish, but perhaps not this particular fish!

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A wet week

WW1 gas mask illustration by Hannah Foley. All right reserved (www.owlingabout.co.uk).Prior to the arrival of storm Barney it had been a wet week here. Low mists bowled up the estuary and rolled around the houses. Other than a continuous drip-dripping from the eaves, all was silent. Down by the river the mist was heavy enough to feel like patchy soft rain. A Grey wagtail bobbed politely to Finch and I at the water’s edge one morning. The Grey wagtail is much prettier than its name suggests. It has a lovely yellow under-tail, which faded into a mellow peach on the WW1 Blood Transfusion Kit illustration by Hannah Foley. All rights reserved (www.owlingabout.co.uk)breast of this particular specimen. I was glad to see him because Grey wagtails are on the Amber List due to moderate declines in their numbers. They are badly affected by harsh winters so I think he’s chosen a good spot to weather out this year’s cold season. We are still slightly disoriented by how warm it is down here compared to Scotland, especially when we hear reports from our friends up there of snow and blackouts. They can take consolation from an old Borders saying that if the snow doesn’t come until after Christmas it’ll be here until Lambing. Hopefully, by appearing now the weather might be sharp but it’ll also be short. Here are a couple more spot illustrations from my recent WW1 commission from Centre of the Cell.

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November

Photograph of Autumn woodland by Richard Foley. All rights reserved (www.owlingabout.co.uk).Stephen Moss’ chapter on November in Wild Hares and Hummingbirds is noticeably shorter than the others. The landscape of the Somerset levels, where he lives, is sodden and dank. The birds of summer have left and the winter visitors are only just starting to arrive. A bitter west wind whips across the open fields. Being so near a grand old dame of a river here, I can relate to his descriptions of sea fogs funneling up from the coast. Both early mornings and evenings are characterised by mist. He describes “gentle wisps hanging above the rhynes; then, as the temperature drops, spreading out over the lanes and fields.” And in those fields flocks of starlings gather to feed, rising up in great masses, black specks against the fading light.

In the midst of a very wet week we were lucky that the rain held off at just the right moment on the night of the school fireworks display. Being on the PTA I was busy collecting tickets on the gate while Big Dreamer man-handled the kids through the crowds to get a good spot. Steve Roud recounts the origins of Bonfire Night in his chapter on November in his book, The English Year. He says, “The enormity and astounding audacity of the plot to assassinate the sovereign and all ruling elite of the country in one fell swoop was bound to mark the day as significant in the history of the nation.” Historically, Bonfire Night celebrations were pretty dangerous. Roud describes people throwing firecrackers into open windows and others making homemade fireworks in their kitchens. In the present day we are all very mindful of the dangers of fireworks. Little Owl came home from school reciting the Fireworks Code. At the school we had to meet all sorts of health and safety regulations in order to put on a public display. Roud identifies one place where you can get a glimpse of what historical celebrations might have been like and that is at Ottery St Mary, not far from us here. There burning tar barrels are hoisted onto the shoulders of participants who run with them through the streets. Roud says, “There is little crowd control, and the barrels pass close enough to the packed spectators to cause real alarm, screams and rapid retreats, which is all part of the fun.”

I have to say I’m not a fan of burning a guy on the bonfire, or effigies of anyone else for that matter. It’s a little too close to scenes from the Middle East we see on our TV screens of maddened crowds shouting death to whoever is currently displeasing them. I thought Little Owl’s school did a very good job of exploring the guy tradition by looking at the origins of the right to protest and suffrage.

Now what is essential to Bonfire Night for me is the food, and Roud doesn’t neglect this aspect. He describes jacket potatoes cooked at the edge of the fire. I would add mugs of steaming soup. Then there is Parkin. For those of you who don’t know Parkin is an oatmeal gingerbread. Spellchecker obviously hasn’t heard of it as it keeps trying to update Parkin to Parking! We make it every year and it is delicious, although it must be made several days before the night as it improves with time. You can’t go wrong with Delia Smith’s recipe here. My mother-in-law made an absolutely stonking version this year. I’m pretty sure she used Delia’s recipe so the only thing that I can think that would account for the difference was that it was baked in Yorkshire!

Here is an autumnal photo from half term, sadly all that colour is gone now.

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Remembrance Day

WW1 prosthetic leg spot illustration by Hannah Foley. All rights  reserved (www.owlingabout.co.uk).Remembrance Day coincided with me working on a lovely commission about medicine during World War 1. As we remembered those who gave their lives in that war and subsequent conflicts I was busily drawing nurses’ uniforms from that same time period. It was very poignant. Here is a quick peek at one of my illustrations – a prosthetic leg used by WW1 veterans. But I’d better get on, my deadline is looming!

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