Summer flowers

Hannah Foley, illustrator, cone, drain, double yellow lines, pavement, emergency, healthcare, children, kids, young people, eduction, science, health and safetyJuly is a wonderful month for flowers. I love it, cycling along by the river of an evening. I can hardly keep my eyes on the path I’m so busy spotting old friends; comfrey, meadowsweet, red campion, common mallow, cow parsley and hogweed. One evening a ladybird hitched a lift on my handlebars and on another a goldfinch bobbed along beside me for some yards. Lycra-clad cycling enthusiasts sweep past me on their silent steads while I puff along, lost in wonder. My heavy old mountain bike is hobbled by a child seat, a chain that falls off whenever I change gear, and me as its pilot. I have my eye on a sleak, lean all-black number in the window of the bike shop on the high street. I dream of flying along the tow-path, wind in my hair. “Just think how much faster you’d go if you had a half decent bike,” says Big Dreamer with a twinkle in his eye. Yes exactly, not actually that much faster. Mostly because I need to be fitter but also because I wouldn’t want to miss the flowers!

Here’s another illustration from my recent emergency healthcare commission. A serious incident occurred here!

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Owling

Illustration by Leah Fusco from her project The Owling. Image taken from: http://www.leahfusco.co.uk/Owling

Illustration by Leah Fusco from her project The Owling. Image taken from: http://www.leahfusco.co.uk/Owling

In my last post I spoke about how I enjoy finding out about and speculating about the layers of lives lived in old buildings. Leah Fusco is an illustrator who has explored layers of lives lived in landscape in various projects. I’ve put up an image from her project The Owling here. Owling is an old word for smuggling sheep and wool from England to France. I knew this when I chose the name for my blog and have always been intrigued. Leah says that her “…images trace smuggling routes across the marshes and contain historic and contemporary details within the landscape. They allude to the endurance of smuggling in Romney Marsh, from wool to drugs, because of the unique physical qualities of the marshes – its isolation, sparse population and proximity to the coast. From a distance, the images are read as anonymous landscape paintings but close up reveal stories of this hidden industry.”

She goes on to say that “marshlands are areas of transience; geographic and man-made details are revealed and concealed repeatedly, through dynamic water levels. I’m interested in how water based processes make history (in)visible and how illustration practice can be employed to explore and capture alternative timeframes and temporality.” In another project called Mapping Northeye she explores the physical reshaping of a medieval island in East Sussex over ten centuries. She says, “drawing together key pieces of primary (my local drawings) and secondary research (archive material), the work examines the role of illustration as a narrative device for inhabiting territory between past and present readings of the site.”

I love the atmosphere of Leah’s illustrations. It only dawns on me slowly, as I peer into the mist, that I’m seeing ancient ghosts alongside a modern day road sign. It’s disorientating, capturing a strange sort of motion sickness, as if by looking at them I am indeed occupying several layers of time all at once. Wonderful stuff. You can see more of Leah’s work by going to her website here.

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Layers

dinamap, healthcare, illustration, children, hannah foley, lino, green, blue, vital signs, heart rate, blood pressureI’m fascinated by layers. My dissertation for my degree was about layers in landscape. I once read about how the Japanese value tarnished objects more than polished ones because the tarnish shows the layers of handling. The object gains worth because of all the hands that have touched it. Wherever we have lived I’ve always been fascinated by the lives of the previous occupants, especially where we could find clues to residents from long, long ago. Many of the weeds in our garden on the farm in Scotland were brought over from Europe in medieval times and were valued for their medicinal or cloth dying properties.

Moving into our new home it is easy to get frustrated by the unsympathetic or just downright shoddy work done to the house by previous occupiers. I’m not kidding when I say that someone has literally sawn off the bottom section of the mantelpiece in our bedroom and has just painted over it, jagged saw marks and all. It’s an old house and it should have been treated with more respect. Nevertheless I’m learning to love the layers.

We found an empty packet of Players cigarettes under a windowsill, just like my grandad used to smoke. In the garden we uncovered a rusty medal from an Australian WW2 veteran and a square of an old piece of china with a ruby red rose design. Someone once loved that little plot. It has some lovely mature shrubs that are exactly what I would choose, giving interest throughout the year. Instead of cursing the chipboard floor set a whole inch below the bottom of the skirting board in the hall, I’m learning to stop and wonder. What happened to the original floor and why didn’t they replace it with floorboards? Maybe something had happened to it at just the worst time, just when someone had lost their job and they could only afford the chipboard replacement. Or maybe they genuinely thought the chipboard was better. No, surely not?! Let’s go with the made redundant option!

I had a lovely moment in the week before we moved in. We had some overlap with our old house and I was over cleaning in preparation for the move. I’d woken Finch up from his nap and brought him down into the middle room. We sat in a square of sunlight on the bare carpet and I sang him some silly nonsense songs as he slowly came round. I couldn’t help feeling that other mums had sat in that same sunny spot and had sung to their sons just as I was doing. It felt as if the house was remembering, and smiling.

Here’s an illustration from a recent commission about healthcare.

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#30DaysWild

muscles, bones, x-ray, human, boy, anatomy, biology, physiology, children, education, illustration, Hannah FoleyHow are you getting on with your 30 Days Wild? For those of you who don’t know what I’m talking about, 30 Days Wild is a campaign run by the Wildlife Trusts to get everyone doing something wild for each day of June. It can be anything from feeding the birds to writing a poem about a bumblebee. The aim is to encourage people to connect with nature for a happier and healthier life.

I’ve been tweeting my wild activity each day here. So far, we’ve squidged our toes in the sand on a beach, chatted with a goldfinch on a railing and spotted some strange fungi growing on a tree in the park, amongst many other things. As always with these sorts of projects, the value of it is that it brings these humble moments into the fore of our consciousness. I think we’re fairly good at spotting the signs of the seasons in our family, but there is something about noting them down, taking a picture, or broadcasting them on social media that raises them to their true status. It’s good to be reminded that the sight of elderflowers in full bloom, if fairly common, is still a pretty special thing. And if nothing else, it’s a welcome distraction from the EU referendum rumpus!

Here is another illustration from my muscles and bones commission.

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Yellow doors

muscles, bones, illustration, children, school, education, biologyLittle Owl has been adamant that we should paint our front door sunshine yellow. I think it’s a lovely idea and as soon as we get chance we will do just that. As I was trying to open the front door the other day I dropped my keys on the step. I bent down to pick them up and noticed some peeling paint on the door. Something caught my eye and I flicked the peeling corner away with my finger. Could it be? Yes it was! Granted it was faded with time but there was no mistaking it. Underneath the white, the door had at one time been bright sunshine yellow! Sometimes it feels like things are meant to be.

Here’s an illustration from a recent educational commission, all about muscles and bones.

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Blackbird

children's illustration, dog, street, town, digital, painterlyThe days have been long and hot here. I have been sitting Wren in the garden in her baby bouncer in the shade of the Japanese maple. She usually falls fast asleep, the dappled light dancing over her flickering eyelids, and I wonder what she is dreaming of. One day a blackbird came and sat in the maple, right above her head. I watched him as he sang, his beady black eye ever alert. He came back the next day when I sat her out, and the next. It was as if he was singing for her as she slept. It’s a lovely thought but the truth may be more prosaic. We met one of our new neighbours the other week. She is a doughty character with a twinkle in her eye and has lived in the neighbourhood for over twenty years. She drives a Reliant Robin and is in constant battle with the local cats and garden snails. The snails are probably what is attracting the blackbird because, whenever our neighbour is out in the garden, wheeee, any snails she finds go flying through the air and land with a slimey smack in the side alley. It’s a blackbird feast out there. If I were one of the local cats I’d watch out, because if she ever caught one of them in her back garden, I’m pretty sure they’d go flying through the air into the back alley too!

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German Biscuits

German Biscuits from the May edition of Waitrose MagazineLook! A recipe for German biscuits in the Waitrose Magazine last month! German biscuit is the pre-war name for Empire biscuits (‘German’ was considered unpatriotic). Never heard of an Empire biscuit? Read about my passion for this little known biscuit here.

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Go Wild

30 Days Wild CampaignThere’s a fabulous new campaign from The Wildlife Trusts kicking off today. It’s called 30 Days Wild and the idea is to do something wild every day for the month of June. They have a whole host of ideas to inspire you on their website here. We’re going to have a go and my plan is to post up our ‘wild’ activity on my Twitter timeline each day. Here’s to a wild June!

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Boxes

Bedtime story illustration by Hannah Foley. All rights reserved (www.owlingabout.co.uk)

We’re in…and there are boxes everywhere! As I’m sure you can imagine Finch has been an enormous help with the house move. You know the sort of thing. Drawing all over the lounge walls in purple felt-tip, pushing nails into electric sockets, and drinking muddy rain water out of old buckets in the garden. Yes, like I said, enormously helpful.

 

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Home

Funny feet illustration by Hannah Foley. All right reserved (www.owlingabout.co.uk)

We are moving house again. This will be our third move in as many years. The difference with this move is that this is going to be our house. I honestly never thought we’d be able to say that, but we can, and it’s a very special moment. Our new home has a leaky chimney and some unwelcome (and soon to be vanquished) houseguests of the wood-eating variety but it is our very own. It is made of red bricks and has a crooked staircase that wobbles off in different directions. From the house you can follow one of a myriad of little ginnels and alleys down to the river. Behind it ancient yews spread their great boughs over a churchyard teeming with birds.

Little Owl wasn’t totally convinced when we first took the children round to see it. She raced around the rooms, initially delighted, only for a confused frown to form on her forehead. She grabbed her notebook and began making copious notes. There was obviously a problem. At last she tapped me smartly on the arm. There was indeed a problem; we had bought a house with no bathroom! In her haste to see each room before Finch could get there she’d missed the door at the end of the kitchen…which leads to the bathroom.

Here’s a draft image from a stalled illustration project.

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